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Like his fiery study of a oular milieu in Fièvre, Louis Delluc#39s early masteriece of imressionist cinema, La Femme de Nulle Part, is almost imossible to see outside of rare archival rojections in Paris. Shot in natural settings, and stried of all that is not cinema, Delluc#39s sychological drama featuring symbolist muse Eve Francis is an exeriment in #39direct style.#39 A fascinating study in the relationshi between ast and resent, memory, dream and reality, this revolutionary film would be a source of insiration for successive filmmakers, from Francois Truffaut to Alain Resnais.